Thursday, March 19, 2020

Comparison and Contrast

Comparison and Contrast ‘To a Locomotive in Winter,’ is a poem by Walt Whitman. It is a poem about a powerful and strong locomotive. The speaker supports technological advancement of America as it is represented by the given locomotive. There is an attempt by the poet to connect science and poetry.Advertising We will write a custom essay sample on Comparison and Contrast specifically for you for only $16.05 $11/page Learn More The poet tries to bridge the Romanticism movements which preceded him and modernism which was to follow. He romanticizes nature by bringing out its beauty, for instance he says, â€Å"O magnetic south.† The poem shuns classical emphasis on the order as well as the balance hence creating a unique style. Imagery has been used in the poem vividly to develop the theme, for aesthetics, movement and power. The poem describes the beauty and strength of the train. The port uses words like, â€Å"Thy ponderous side-bars† (Kennedy and Gioia 4 26). The poet uses words like â€Å"delicate† and â€Å"great† to bring out the beauty and strength of the train. All these come together creating the train’s motion. Onomatopoeia as well as the Doppler Effect has been used in the poem so as to create melodic effect. The poet has used poetic form and diction to bring out the tone and theme of the poem. The lyrical ‘I’ has been used to refer to the locomotive. Anaphors have also been used. Almost each line starts with â€Å"thy† or â€Å"thee.† The speaker is explicit as evident in the use of the lyrical ‘I’ which makes the poem seem like a prayer. The poet has used a formal structure. The poem is has free verses and it follows no regular pattern, a further symbolism for the locomotive that does not appear to move in a normal pattern. There is foreshadowing of the poem’s theme in the headline. It is clear from the start that the poet is going to talk about a locomoti ve. Description has been used to bring out the sound, motion, and appearance of the train (Kennedy and Gioia 427). In the second poem with the title, â€Å"I like to see it lap the miles.† As much as the subject is not explicitly named, the poem is about a train just like the first one. The poet seems to enjoy watching the train as it travels through the country as evident in the title. Imagery has been used at different levels in the poem. The imagination of the poet about the train is that of giant horse figure moving far and fast, in the process appearing to ‘lick up’ the countryside.Advertising Looking for essay on comparative literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More The train is imagined as feeding at the tanks, either loading passengers or refueling. The size and might of the train are so enormous to the point that it is able to take a giant step around a mountain pile. Due to its pride i n enormous power and speed, the train looks arrogantly while passing sharks. This is a clear indication that the poet has used personification to give the train which is inanimate humanly characteristics. The poem has been framed as a riddle. This gives emphasis to the disconnection that exists between it as a mysterious creature as well as the natural environment inhabited by it. A strong juxtaposition has been used between the train and the natural world. In contrast to the first poem, the poet does not seemingly have a positive tone towards the poem. She does not have a liking for it. She describes it as superfluous and explicitly brings out the negative portrayal of the train. She doesn’t like the way in which it carves space out so as to fit its own ribs and in the long run transform the natural world to meet its own self centered needs. The poet carefully chooses the diction in bringing out the negative aspects of the train like, â€Å"†¦horrid,† â€Å"hoot ing,† and even â€Å"complaining.† While on its downhill movement, he describes it as â€Å"chasing itself.† Its great power irritates and disturbs them. The poet is almost pedantic in vocabulary use. A poem which in the real sense is something ordinary has been turned into something that is extraordinary through the description used. The poet has used natural images in describing this thing that has almost been named in the pun. It is first described as a cat which laps and licks. The overriding metaphor in the poem though seems to be comparing the horse. Much of the analogy use is in comparison to the horse (Kennedy and Gioia 427). The two poems therefore exhibit much imagery and personification in particular. Rhyme has also been used in the poem to bring out the musicality in the poem just as it is in the first poem. The heading in itself is a metaphor as well as it has been used symbolically. Kennedy, John and Gioia, Dana. Literature: An Introduction to Fict ion, Poetry, Drama,  and Writing, 6th Compact Edition. New York: Pearson, Longman, 2010. Print.Advertising We will write a custom essay sample on Comparison and Contrast specifically for you for only $16.05 $11/page Learn More

Tuesday, March 3, 2020

Free Short Stories from Project Gutenberg

Free Short Stories from Project Gutenberg Founded by Michael Hart in 1971, Project Gutenberg is a free digital library containing more than 43,000 e-books. Most of the works are in the public domain, though in some cases copyright holders have given Project Gutenberg permission to use their work. Most of the works are in English, but the library also includes texts in French, German, Portuguese, and other languages. The effort is run by volunteers who are constantly working to expand the librarys offerings. Project Gutenberg was named after Johannes Gutenberg, the German inventor who developed movable type in 1440. Movable type, along with other advances in printing, helped facilitate mass production of texts, which fostered the rapid spread of knowledge and ideas in art, science, and philosophy. Goodbye, Middle Ages. Hello, Renaissance. Note: Because copyright laws vary from country to country, users outside of the United States are advised to check the copyright laws in their respective countries before downloading or distributing any texts from Project Gutenberg. Finding Short Stories on the Site Project Gutenberg offers a wide range of texts, from the United States Constitution to old issues of Popular Mechanics to charming medical texts like 1912s Cluthes Advice to the Ruptured. If youre specifically hunting for short stories, you can start with the directory of short stories arranged by geography and other topics. (Note: If you have trouble accessing the Project Gutenberg pages, look for an option that says, Turn off this top frame and the page should work.) At first, this arrangement seems straightforward, but on closer examination, youll realize that all of the stories categorized under Asia and Africa, for example, are written by English-speaking authors like Rudyard Kipling and Sir Arthur Conan Doyle, who wrote stories about those continents. In contrast, some of the stories categorized under France are by French writers; others are by English writers writing about France. The remaining categories seem somewhat arbitrary (Ghost Stories, Victorian Stories of Successful Marriages, Victorian Stories of Troubled Marriages), but there is no question that they are fun to browse through. In addition to the short stories category, Project Gutenberg offers an extensive selection of folklore. In the childrens section, you can find myths and fairytales, as well as picture books. Accessing the Files When you click on an interesting title on Project Gutenberg, youll be confronted with a somewhat daunting (depending on your comfort level with technology) array of files to choose from. If you click Read this e-book online, youll get completely plain text. This is an important part of what Project Gutenberg is trying to accomplish; these texts will be preserved electronically without complications from fancy formatting that might not be compatible with future technologies. Nevertheless, knowing that the future of civilization is secure wont improve your reading experience today one iota. The plain-text online versions are uninviting, awkward to page through, and dont include any images. A book called More Russian Picture Tales, for example, simply includes [illustration] to tell you where you might see a lovely image if only you could get your hands on the book. Downloading a plain text file rather than reading it online is slightly better because you can scroll all the way down the text instead of hitting next page over and over. But it is still pretty stark. The good news is that Project Gutenberg really, really wants you to be able to read and enjoy these texts, so they offer many other options: HTML. In general, the HTML file will provide a better reading experience online. Take a look at the HTML file for More Russian Picture Tales, and-voil!- the illustrations appear.EPUB files, with or without images. These files work on most e-readers, but not on Kindle.Kindle files, with or without images. Be aware, though, that Project Gutenberg is up in arms because of the Kindle Fire, unlike previous Kindles, is not particularly compatible with free e-books. For suggestions, you can read their webmasters Review of the Kindle Fire.Plucker files. For PalmOS devices and a few other handheld devices.QiOO mobile e-book files. These files are intended to be readable on all mobile phones, but Javascript is required. The Reading Experience Reading archival material, electronically or otherwise, is very different from reading other books. The lack of context can be disorienting. You can often find a copyright date, but otherwise, theres very little information about the author, the pieces publication history, the culture at the time it was published, or its critical reception. In some cases, it may be impossible to even figure out who had translated works into English. To enjoy Project Gutenberg, you need to be willing to read alone. Going through these archives is not like reading a bestseller that everyone else is reading, too. When someone at a cocktail party asks you what youve been reading, and you answer, I just finished an 1884 short story by F. Anstey called The Black Poodle, you will likely be met with blank stares. But did you read it? Of course you did, because it begins with this line: I have set myself the task of relating in the course of this story, without suppressing or altering a single detail, the most painful and humiliating episode of my life. Unlike most works you read in anthologies, many of the works in the Project Gutenberg library have not withstood the proverbial test of time. We know that someone in history thought the story was worth publishing. And we know that at least one human being- a volunteer from Project Gutenberg- thought a given story was worth putting online forever. The rest is up to you. Browsing through the archive may raise some questions for you about what on earth that test of time really means, anyway. And if you feel youd like some company in your reading, you can always suggest a Gutenberg piece to your book club. The Rewards Though its wonderful to see a familiar name like Mark Twain in the archives, the truth is that The Celebrated Jumping Frog of Calaveras County has already been widely anthologized. You probably have a copy on your shelf right now. So the Gutenberg price tag, though fabulous, isnt really the best thing about the site. Project Gutenberg brings out the literary treasure-hunter in all of us. There are gems at every turn, like this wonderful voice from Bill Arp (pen name of Charles Henry Smith, 1826-1903, an American writer from Georgia), featured in The Wit and Humor of America, volume IX: I almost wish every man was a reformed drunkard. No man who hasnt drank liker knows what a luxury cold water is. Cold water may, indeed, be a luxury to the drunkard, but for someone who loves short stories, the real luxury is the chance to explore thousands of rich-but-almost-forgotten texts, to read with fresh eyes, to get a glimpse of literary history, and to form unencumbered opinions about what you read.